Today I washed my tent for the season. It was a nice day to sit back and think about all of the cool people I got to meet, interesting places I got to go, and great art I got to see!
If you’ve supported me this year, thank you. With you, I can make art I love and share it with many people.
I spent a few weeks working with a gelatin-based printing platen! Join me as I explore using this device steeped in zine history, ramble about defunct technologies, and in general have…fun!
Jellyzine talks about how to make your own homemade version of a jellygraph/hectograph/gelatin press. It’s part of zine history! This version is an imperfect reproduction done on a jellygraph. Darkness of the ink will vary!
10 in stock
Jellyzine talks about how to make your own homemade version of a jellygraph/hectograph/gelatin press. It’s part of zine history! This version is an inkjet printout.
5 in stock
Jellyzine talks about how to make your own homemade version of a jellygraph/hectograph/gelatin press. It’s part of zine history! You’re welcome to print out and distribute this zine without modification.
10 in stock
The Boy Mechanic – 700 Things for Boys to Do by Popular Mechanics – 1913. See page 326.
While these are obviously maker projects anybody can do, this book is filled with projects from the benign hectograph recipe I feature, to dangerous wiring projects guaranteed to burn grandma’s house down. Use common sense and remember some of the chemicals featured are dangerous.
Not in the recipe I put in my zine, tho. They’re all pretty inert; you’re more likely to make a sticky mess or stain things. Note that on page 240, there is a clay-based hectograph, which I have not tried.
Wikipedia Article on Hectographs – Wikipedia is typically a great springboard to start off into a topic. The citations have a link to a Scientific American Cyclopedia with several hectograph recipes. (Hint, it’s on page 262, since the text is not searchable at the time of writing.)
Our Own Devices: Short: Hektograph – A well done short on the history of the hectograph; only 7 minutes!
Iowa University’s Library – A very nice blog post on making and using a hectograph. Chock full of photos and explanations of the demo.
Cheap Copies! – A MOST EXCELLENT book by Rich Dana on the hectographs, mimeographs, and spirit duplicators. Absolutely embodies the spirit of being a maker and zinester. Chock full of sources.
Copying Pencils – Related and of-interest. Pencils made largely with methyl violet for duplicating and non-erasure of documents (pre-ballpoint pen!). I would love to experiment with these, but they appear to be expensive and hard to find.
I won’t provide direct links to products here, but rather specific names and types. Some things you will have to hunt for the best source for you in your area.
Gelatin – You want powdered gelatin, it’s typically found in the grocery store near the Jell-O, boxed pudding, and baking supplies. Store brand gelatin is just fine, no need for fancy Knox brand.
Glycerin – This is a liquid. You can also usually find it in the grocery store, near skin care products. Pharmacists will know where it is if you can’t find it. Fun facts, glycerin can also be used as a sweetener and helps skin to retain moisture when applied topically. Note! You can make a jellygraph without glycerin. However, it may be wetter and have a poorer constitution with pure gelatin. Experiment.
Transfer sheets – The most popular brand are known as “Spirit Transfer Sheets” as they also are used by tattoo artists for transferring art to skin in order to tattoo. There are many no-name brands of transfer sheets with people stating varying degrees of success and experience with their quality. These are essentially sheets with a very thin layer of methyl violet-based dye on them, and work like carbon transfer sheets. They work with both hand-drawn pressure, and with thermal printers.
Inks – For folks who don’t want to use transfer sheets. You can get powdered methyl violet in small quantities from science companies who provide for schools and home enthusiasts. In the Popular Mechanics article listed above, there’s a recipe that calls for using methyl violet. I have experimented with gentian violet, obtained from my local pharmacy. It has much of the staining quality, but isn’t especially dark as compared to the transfer sheets. In my exploring, I found that some tattoo supply companies carry “hektograph ink” which, supposedly is the same formulation as was used in days of yore. I have not purchased any at the time of this writing, so cannot comment as to its efficacy.
Thermal Printer – Honestly, while I’ve not had any issues with my postage-label-sized thermal printer, or other receipt-sized printers I own, letter-sized thermal printers seem to be rife with mixed reviews and issues. My advice? Hunt down a thermal fax machine. It takes time, but you can rescue one from the landfill AND get a thermal bed that works great for various maker projects. It took a while, but I tracked down a Brother Intellifax 775 for $10, and only had to drive 10 minutes from my house. They’re out there, be patient.
I’ve been quiet online, mostly because I’ve been playing with the latest tool in my toolbox, a fax machine! No, I’m not passing along chain letters and bad jokes, but rather using the thermal printer component of the machine for creating stencils from Risograph masters. This year I already tried purchasing a cheap thermal printer, and subsequently discovered it is utterly inadequate for my needs; it was chucked back to the Amazon Overlords the same day. After a few months of daily checking for fax machines in my area, I managed to snag one for $10. Granted, it’s not as compact and store-able as the portable thermal printers, but thus far it has spit out a perfect stencil every time. It doesn’t rely on battery/USB-C power nor do I have to finesse inconsistent Chinese printing software to get it to do my bidding.
I’m almost finished with an upcoming video about experimenting with hectographs, of all things. Hopefully it’ll be done soon!
This is my process for how I make my digital illustrations. In a world where AI-generated images are proliferating our Internet life, it’s important to understand the amount of planning and work that goes into actual illustrations made by artists.
I use CorelDRAW, a vector-based drawing program. For over 15 years, I used Adobe Illustrator; but when the started offering a subscription-only model, I made the switch. For what it’s worth, Inkscape is a great open-source vector-based drawing system.
Simply put, there are two types of images: raster and vector. Raster images use pixels to create a picture, vector images use math and geometry to create an image. Wikipedia has a more in-depth article on the topic.
I use CorelDRAW for illustration, but also for designing 3D prints, text, sticker cut-outs, laser cutting, and more. I like the control I have over the elements of my designs as well as the ability to size and resize everything. Also I do not have an iPad; digital painting and I have never really “clicked”.
It varies. After importing a sketch, if I can sit down uninterrupted, a drawing can take me a few hours. Sometimes, “life” happens, and it can take a few days or weeks to get something completed.
What’s my process? Let’s follow along an illustration I did for “The Imbolc Faerie” for a pagan holiday.
Step 1: Import the Sketch
I almost always start somewhere in my sketchbook. After I have a doodle I’m happy with, I scan it in and import it into CorelDRAW.
Step 2: Rough in the Vectors
Here, I’m using vector lines to build rough polygons of the shapes in my drawing. At this stage, there are no curvy lines; I have to visualize where lines will curve and flow.
Step 3: Create a Color Palette
Sometimes, I will find an image with colors I like and want to use. In this case, I’ve found a picture with lots of soft pinks and lavenders, so I auto-extract the colors into a new palette.
I also have a number of palettes with custom spot colors, as well as patterns I’ve created.
Step 4: Color Blocking
After I’ve a palette, I fill in all those polygons with blocks of color. The image kinda looks like paper cut-outs at this point. It is at this stage I can shuffle what order my shapes are in: some shapes should be in the front, some should be at the back. I also can determine which lines are going to be thicker, or become specialty shapes that simulate brush strokes.
Step 5: Convert to Curves
Now I tell the program that I don’t actually want all of my polygons to be straight-edged polygons: I want them to be curvy shapes.
Every dot you see on the screen is a point where I can adjust the curve of a shape, called a bezier curve. The general rule in vector drawing is less points. Mo’ points = Mo’ problems
Step 6: Adjust the Curves
This part takes the longest; time to fiddle with all the points and curves to make it look less like paper cut-outs and more like a drawing.
Sometimes I will use freehand curves rather than drawing polygon shapes if I can’t get the look I want.
Step 7: Background Colors/Designs
After most things are shaped and colored in, I’ll fiddle with the background colors. Sometimes a choice in background necessitates changing the main subject’s colors.
Step 8A: Gradients, Shadows, & Transparencies
Now I start to play with adding gradients, transparencies, and shadows to help define objects in the image.
Step 8B: Custom Fills
I have a number of custom fills I’ve made. This, for example, is a fill that simulates what I want a flame to look like.
Step 9: More Details
At this end-stage, I may add more details in that weren’t in my original sketch, or things that I feel like give the final image a little more sparkle.
In this image, I’m adding some stripes to the faerie’s legs.
Step 10: Add Text and 1,000 Tiny Adjustments
Finally, if the image calls for text, I add that in. Not pictured, the thousands of tiny adjustments, changes, and whatnot that lead to the final image.
So there you have it! How to make an image in 10 EZ steps! Seriously, though, while I follow this general procedure, the reality of drawing is that I flip flop back and forth between adjusting shapes, adding them in, changing colors, and so forth.
This is how I draw the illustrations for my oracle deck, Tarot cards, and more.
Big news today: I have finished the Major Arcana for the Tarot deck I have been working on! That’s 21 cards into my 78 card journey. I’ve been doing a lot of background work prepping for doing the pip cards: making patterns, color swatches, studying card history and meanings.
This has been an amazing project thus far: the sheer amount of art history alone crammed into these decks is incredible. Frankly, it’s been more fun for me to study the card history than to do actual practice readings! In any event, while hard to share my journey (Livestream me reading and taking notes? No thanks haha) I do broadcast live on YouTube every Tuesday while I’m drawing each card. I can’t wait to see what the next cards bring!
Austin Witchfest 2024 was an absolute delight. I met so many interesting people, and am blown away at the support I received. Coming off the heels of Staple! Expo, I am humbled by the number of folks who recognized my art and were excited by seeing it again.
Knowing I make zines, ceramics, and paintings that bring some light into people’s lives astounds me with how fortunate I am to be able to do so.
Thank you, everyone, from the bottom of my heart. Pictured: my rusty ol’ bike taking me to the Post Office to drop off a package. ♥️
Why, in the world of the FUTURE should you bother making zines? I address why, in this handy video!
Are you interested in your OWN zine that talks about why you should bother making zines? You can either purchase your own copy OR download a FREE PDF to print and read/distribute without modification.
WHY should you bother making zines? Check out this cute lil’ zine for some reasons why! (You can also print out this zine for free and make your own zine to distribute, if you like!)
3 in stock
WHY should you bother making zines? Check out this cute lil’ zine for some reasons why! You are welcome to print out and distribute this zine freely, though please do not sell or modify it. If you wish to purchase a finished version, check that out in my shop as well!
What’s a risograph? How do I use it? Don’t worry, this video doesn’t get technical at ALL, but we get to enjoy a nice visit to Soft Spots Risograph Press in Dallas. Check it out!
Heyyyyy! Another video! This time join me as I go through making some of my cute lil’ fae houses and tell a story about working at Color Me Mine~
MY GOODNESS. This past weekend was AH-MAZING. Austin Pagan Pride and Lone Star Zinefest, y’all wiped me out! Deepest thanks to everyone who came by my booth or table and purchased something. It makes me so happy to make art, moreso when I get to see how happy people are when they take one of my pieces home.
My next event is ArtsGoggle on October 21st. In the meantime, I will be working to restock everything I sold out of! If there’s something that’s out-of-stock in the store, it should return soon.
Holiday5 products 
The Hive Oracle11 products 
Magick Potion Bottles7 products 
Shrooms28 products 
Faerie Houses8 products 
Divination5 products 
Mugs & Cups10 products 
Plates2 products 
Hangings8 products 
Stickers18 products 
Paper Goods10 products 
Tableware20 products 
Canvas Paintings10 products 
Trinkets11 products 
Earth Spectrum8 products 
Fae Magick14 products 
Psychedelic Phorest14 products 
Star Swirl10 products 
Zines22 products 
21 and Up7 products 
